Lamperti

Lamperti was an Italian lighting manufacturer that contributed to the evolution of twentieth-century lighting design. Based in Robbiate, Lombardy, the company became known for its exploration of materials, technical innovation, and collaborations with influential Italian architects and designers.

During the 1950s, 1960s, and 1970s, Lamperti developed a diverse collection of table lamps, floor lamps, wall lights, and pendant lighting. Its creations reflect the transition from postwar functionalism to the experimental aesthetics of Space Age design, characterized by the use of metal, glass, aluminium, and innovative synthetic materials.

An essential aspect of Lamperti's history was its collaboration with designers who explored new approaches to modern lighting.

Roberto Menghi was among the earliest designers associated with the company. In 1948, he created the adjustable Libra Lux lamp, featuring an ingenious counterweight mechanism that allowed the light source to be repositioned.

Ico Parisi, a leading figure of Italian modernism, collaborated with Lamperti around 1970, designing the Iride floor lamp. Distinguished by its vertical arrangement of coloured metal discs, the lamp transforms a functional lighting fixture into a sculptural composition.

Another significant collaboration involved Cesare Maria Casati and Carlo Emanuele Ponzio, founders of Studio D.A. – Designers Associati. Their creations include the Pelota lamp, introduced in the early 1970s, featuring a curved plastic structure and an experimental aesthetic characteristic of the Space Age movement.

Other designers associated with Lamperti include Elvio Becheroni, creator of the Fru Fru lamp in 1972, and Giancarlo Salvioli, designer of the Platters table lamps, reflecting the company's interest in innovative forms and materials.

Lamperti's catalogue also includes designs associated with Gino Colombini, Ernesto Guzzetti, and Giovanni Grignani, illustrating the diversity of creative approaches represented in the company's production.

During the 1980s, following a period of financial difficulties, the company's activities continued under the name Nuova Lamperti, preserving elements of its design heritage. This period also includes the Laser lamps by Max Baguara, characterized by architectural geometries and innovative lighting solutions.

Today, vintage Lamperti lamps are appreciated by collectors and design enthusiasts for their distinctive forms, technical experimentation, and contribution to the history of Italian lighting.

The company's creations represent an important expression of the relationship between industrial production, architecture, and aesthetic research in twentieth-century design.